Best Friends Exhibition

1 November - 31 December 2025

What is a best friend? 

Someone or something you can rely on? We invited 8 artists to respond to the brief and the outcomes are wide ranging and engaging with wit, delight, enchantment and sentiment.

We are pleased to say that charm and joy pervade the exhibition - which is exactly its intent. You can discover not only cats and dogs but also horses, donkeys, birds, an anteater, an okapi and many more. Each sculpture is beautifully crafted in form and material.

All the exhibits are for immediate sale, but be aware that we sell from the wall, so hurry.

Ceramicist Helen Higgins

Helen Higgins is a prize winning ceramicist, nationally renowned for her humorous ceramics. Her pieces are individually hand built employing slab, coil, pinch and modelling techniques, to create her characters. She loves dressing her animals up in costumes - creating animal hybrids with anthropomorphic vibes. 

“I endeavour to explore how we sometimes try to hide our true selves behind a façade, masking our own vulnerabilities by pretending or taking on other characteristics, with the intention of increasing self-esteem and confidence."

Her busy studio and teaching practice is based in south Wales.

Figurative Ceramicist Jean Tolkovosky

Surrey based ceramicist Jean Tolkovsky, is a nationally renowned sculptor specialising in figurative work. Her sculptures are each unique pieces inspired by myths, novels and childhood memories. The dream-like quality of her work is achieved not only in the form, but also in the sensitive rendering of the glazes and mark making.

Jean's masked and anthropomorphic figures reveal a fascination and intrigue to the multiple facets of the human persona.  Her aim is to suggest the narrative, whilst leaving a space for further contemplation by the viewer.

Jean Tolkovsky's sculptures are collected around the world.

Mixed-Media Artist Gemma Rees 

Gemma Rees is a Sussex based artist specialising in creating highly textured canine sculptures.

After a career as a professional graphic designer, she experimented with 3D materials and from there her passion for making animal sculptures grew. Her specialism is dogs and how their quirky characters evolve through the process of doing a drawing, making a wire armature and then working with paper clay and resin to create the surface. Some sculptures are very labour intensive, taking weeks to build. Her aim is not to shape a realistic canine, but instead interpret its personality through the materials and gestural form.

Wildlife Ceramicist Elaine Peto

Elaine Peto has spent a lifetime being inspired by the natural world. From her studio in Hampshire she studies animal behaviour, their forms and characteristics. Elaine's portfolio includes ceramic sculptures of farm and wild animals and even sea creatures. She specialises in creating one-off pieces using textured stoneware and porcelain clay.

“ My aim is to capture the essence of the beast”

Animal Ceramicist Joanne Cooke

Yorkshire based, Joanne Cooke has spent the last 25 years sharing her love of animals by creating life-like ceramic sculptures. Her primary fascination is with dogs and their captivating characters and playful natures. Each pose and facial expression is carefully worked in clay until it conveys the essence of the animal.

Joanne individually sculpts each dog out of stoneware clay, then decorates them with a combination of matt underglaze and shiny top glaze.

Ceramicist Emma Rowley

Yorkshire based ceramicist, Emily Rowley, creates charming sculptures that aim to make you smile. Through building the form in stoneware clay she imbues character by the application of textures and pattern. Each piece is a delightful statement that brings humour and cheer.

"The ceramics I make, through pattern and personality, evoke feelings of nostalgia and cosiness. They comfort you like an old friend coming round for a cuppa".

Ceramicist Christy Keeney

Internationally renowned sculptor, Christy Keeney, studied ceramics at the Royal College of Art in London. After spending 17 years in London, Christy returned to his native Donegal where he now lives and works with his family.

His sculptures have a strong narrative quality that invites you to contemplate the story behind the work.  He sculpts and draws into slabs of wet clay creating heads and disjointed figures that investigate the human condition.

His forms often extend to the point where sculpture and drawing meld.  He uses washes of colour to denote mood and atmosphere, whilst sometimes opting for a monochromatic palette to heighten the form's impact.

Miniaturist Ceramicist Andrew Bull

Kent based sculptor Andrew Bull specialises in making quirky porcelain miniatures. His light-hearted approach captures the essence of humour in everyday situations: whether walking the dog or hanging out the washing. Each animated character tells a story that engages and delights. For Andrew, a best friend doesn't have to be an animal or person, it can also be a car or a bag of golf clubs - always there when you need it!

Andrew uses rolled and slab building techniques to carefully create each sculpture by hand, adding lustres and enamels to highlight key accents.

Being Home Collection

A Collection of Original Oil Paintings by Jac Scott.

An antidote to fast living.

The domestic space has long held a fascination with many artists. Whatever the medium, to transpose the enigmatic and the mundane of home, is an enduring focus. Often drawing our attention to the small and overlooked elements, these still life works form narratives on our way of living.

Here Scott is preoccupied with the celebration of the joy of home comforts and the reflection of her feelings that these simple objects bring. By painting atmospheric vignettes, she focusses our gaze on a few items that capture the essence of the subject.

Her own country home forms the canvas for this unique collection with her love of old crockery, antique books and flowers emanating throughout the paintings. The casual, contemporary format of the compositions, the painterly style of the brushwork and the saturated colour palette, create an inviting window into the artist's world.

"I want to create pictures that are colour baths to wallow in and to soak up the warmth. The cosy style should feel like a wall-based hug".

"I want to enjoy wobbly towers of pretty vintage teacups, rows of mis-matched tea plates, (maybe a butterfly has landed on one?) clusters of quirky old tea and coffee pots, worn squashy sofas, and stacks of well-read books."

The Home Collection is an evolving body of work, so expect nuances and surprises along the way.

Plated Collection

I have had a passion for antique white plates for many years and collect reticulated ones - they make a lovely display on the wall with unusual shadows through the holes. My collection is not extensive as good ones are hard to find and those with chips or cracks are not of interest. Displaying them in groups makes a strong statement. So it was this love of old white plates that ignited the idea of collecting interesting vintage white plates. They have to speak to me in some way.  Painting original still lifes on them hopefully makes them covetable again.

It's fun to do and I enjoy the immediacy of it. My drawings and paintings take so long to do, whilst the plates are relatively quick - although of course the oil paints still take weeks to dry.

I confess I only paint subjects that interest me and those that seem to 'sit happily on a plate'. That expression is hard to define but see if you agree.  Beautiful vegetables and fruits, some picked from my own garden, glistening fish and antique cutlery are first to be captured. These simple still lifes look great on their own or even better in a group. Building a plate-scape is simple as I sell them ready to hang with a brass plated hanger (with protective ends) and a wall fixing, so super quick and easy to attach to your wall. Alternatively, you could place the plate on a special stand. It's fine art on a plate only - don't ever use them for eating or put them in your dishwasher!

Artists throughout history have been drawn to designing plates - strange but true. Even Picasso in the 1940s embraced the art form, creating unique pieces as well a limited edition designs with a local pottery.  In the 1970s Julian Schnabel and Judy Chicago famously harnessed the power of the humble plate to send their eloquent messages. But does this question the traditional hierarchy of the art world - is it subverted?  How delicious.  Does the fine art element diminish - is it of less value because its on a plate - does the association of domesticity devalue it? What do you think?

To find out more about the history of painting on plates click on this link

https://www.artspace.com/magazine/art_101/art_market/artist_designed_tableware-51836