As you walk to The Monument, just looming out from the wood, you pass a group of the famous holm oaks that grace the estate, whilst the herds of fallow deer that roam add a dynamic energy to this peaceful park.
Interestingly, the two cedars that feature in another Arboretum Collection drawing appear in the far right of the picture.
Find out more about the monument here
https://www.holkham.co.uk/visiting/the-park/the-monument
Limited edition prints are available in Utopia’s signature style - a sandwich of sealed glass that reveals the wall behind, creating a floating effect that harnesses the wall behind as a picture mount.
The print is displayed with a torn edge in a wide, deep textured black/brown wooden frame.
Special brass fixings are supplied in order to hang the picture without the need of a cord or wire.
Picture height 61cm x length 78.4cm x depth 3cm £400
Shipping £15
Postage will be refunded if you request collection in person from our gallery in Holt - please just email us
We no longer ship abroad.
Utopia: The Unexpected Gallery presents a collection of fine art prints from original black and white drawings by multi-award winning artist Jac Scott. Inspired by the beautiful Norfolk landscape the sensitive renderings capture both a love of nature and a contemporary approach to drawing.
Scott's original drawings are reproduced as giclée prints - a fine art digital printing process combining pigment based inks with high quality archival quality paper to achieve an inkjet print of superior archival quality, light fastness and stability.
The prints are created by specialist fine art printers and members of the Fine Art Trade Guild, on Hahnemühle Photo Rag 308 gsm 100% white cotton artist’s paper. The paper has a lightly defined felt structure with a premium matt coating: perfect for detailed work. An acid & lignin-free classic with age resistance: specially designed for Fine Art applications.
Technique
Multi-award winning artist Jac Scott, a member of the Royal Society of Sculptors, approaches drawing in a similar vein to that of the traditional building process of creating a sculpture. The rhythm of multiple marks both build and extract until a form evolves from the ground. Her technique is paradoxically quick in hand movement yet slow to build.
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