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Fluid Lands

All artworks in this collection are originals by Jac Scott.

Utopia do not create prints from these paintings.

Encaustic Art

The ancient method of encaustic art was practiced by the Greeks and Egyptians with 2000 year old examples still in existence. Wax and pigments are fused with heat which dries quickly capturing brush strokes, drips and textures. Encaustic art is an all consuming very physical practice.  One is seduced by the process of not just applying paint with a brush, palette knife or hands but also the harnessing of heat to energise materials and move the liquids around. The fluidity of the process allows the materials to mix and metamorphose.

Artist’s Inspiration

The collection is a narrative from the Covid-19 lockdown where the staying home mantra led to a visceral response in oil paint and wax, to places long remembered.  No longer able to embrace the wide vistas of the Norfolk sea and land scapes, that the artist’s spirit yearned to revisit, she decided to indulge in some highly emotive abstracted work that would kindle a long repressed flame. 

If you've ever wondered how artist and designers start researching a new subject to draw then here Jac Scott reveals some initial steps in drawing with ink.

Inspired by the mesmerising flocks of Canada geese flying in the vast Norfolk skies she starts studying the birds and collecting some photos for detailed referencing. Then the first sketches emerge.

Flying in Black & White from Utopia: The Unexpected Gallery on Vimeo.

Drawing to commission has a different dynamic, one where the poetry of creativity has a tension. The management of that is where Utopia excels, as exemplified in the last twelve months when Jac has been commissioned by both corporate companies and private clients to draw a range of subject matter.

We thought you might be interested in both the process and the results.

What happens when I commission a drawing at Utopia?

• CONSULTATION

The first step is to have an in-depth consultation with Jac on what your ideas are and how Utopia might fulfil them. We also discuss options for developing the idea and find out your budget and deadline – key parts of working productively together.

• SITE VISIT                  

Secondly, a site visit is booked. From this, basic research material is gleaned and then a quote is provided. Utopia does not charge for these initial meetings.

• CONTRACT                  

A simple contract is drawn stating: the brief, financial terms and schedule. On signed agreement and exchange of the contract, plus receipt of the non-returnable deposit, the work begins.

• RESEARCH                  

Jac will need to make some site visits to collect research material (sketches, photographs etc) but exactly how many are arranged, depends on the brief. The visits are always arranged with the client in advance and at times of mutual convenience. Many of the site visits are outside and therefore dependant on suitable weather conditions.

• SKETCH

It is usual for a preliminary sketch illustrating the composition to be forwarded to the client prior to a full drawing being created. This ensures that both parties are clear about the brief and that both are heading in the same direction. Any amendments are then made.

• DRAWING                  

At this stage the exciting part commences as the full drawing is developed. On completion a low-resolution version is emailed to client for feedback.

• CHANGES                  

Any little changes to the drawing are executed, the final version is agreed, then this stage is signed-off by the client.

• OTHER MATERIALS

If developments like framing and printing have been asked for, then it is at this stage in the process that they are managed.

• COMPLETION

On receipt of the drawing (and other materials) the client pays the balance and does a final sign-off to show the commission has finished.

This process enables both parties to clearly understand what is happening and when, so there is little chance for misunderstandings. Jac has spent twenty-five years as a professional artist working to commission, so she understands the process well and finds it rewarding developing new works from clients ideas.

Please get in touch if you have a concept you’d like to explore further.

Here are some commissions from clients in the last twelve months.

Drawing Conclusions

To re-tread footprints on a favourite walk, where sky and sea and earth meet and buffer, is a treat even on a windy, grey January day. The North Norfolk coastline is a sanctuary to wildlife and people – an ethereal interface that inspires and nurtures.

We surrender to the elements - embrace the gash of wind and rain and hear the roar of tide and turn.

See 37 seconds of a panoramic video of the windy walk at Cley.

What inspires artists to capture something - a stimulus that sparks an exhilarating ignition to respond. The stark winter landscapes of North Norfolk, with their strong graphic qualities, contrive a creative approach where the editing out of features is as much the artistic remit as what one includes. This challenging duality delivers sparse vistas with intricate detailing in the forms.

The Land Song Collection has emerged organically from the seasonal study of the East Anglian countryside and coastline. It aims to reflect the quiet song where a rhythmic beauty is broken by staccato: tree, farm and village. The drawings are direct responses to actual sites that can be visited through the name or grid references supplied with each print. The Collection will continue to evolve and expand as the sky’s envelope opens.

Cley Windmill

The ghost of the mill sails turn to the rhythm of the historic wind.

Burnham Norton

In Burnham Norton, marshes wrap and ooze watery ribbons of grey sky. Reeds form natural weather vanes swaying in the breeze whilst beyond the edge, where watery and aerial worlds collide: creatures dance in the interface embracing the fluctuating borders of their habitat.