The revelation of the panoramic beauty of landscape leads to a big explosion of broad strokes of emotion and energy captured in paint.
All artworks in this collection are originals by Jac Scott.
Utopia do not create prints from these paintings.
The ancient method of encaustic art was practiced by the Greeks and Egyptians with 2000 year old examples still in existence. Wax and pigments are fused with heat which dries quickly capturing brush strokes, drips and textures. Encaustic art is an all consuming very physical practice.One is seduced by the process of not just applying paint with a brush, palette knife or hands but also the harnessing of heat to energise materials and move the liquids around. The fluidity of the process allows the materials to mix and metamorphose.
The collection is a narrative from the Covid-19 lockdown where the staying home mantra led to a visceral response in oil paint and wax, to places long remembered. No longer able to embrace the wide vistas of the Norfolk sea and land scapes, that the artist’s spirit yearned to revisit, she decided to indulge in some highly emotive abstracted work that would kindle a long repressed flame.
Engineering oil pigments and wax to echo the dramatic surge of the storm when sky, sea and sand all merge into one mass of energy.
In June, North Norfolk is particularly blessed with wide ribbons of scarlet poppies. The flashes of red shout loudly amongst other more timid wild flowers. The meadows appear to dance in the breeze each flower pirouetting on the beat.
Red is a colour not normally associated with Utopia, but at this time of year, living in North Norfolk, one cannot but wonder at its enchantment. It started with a view of three scarlet fields at the gateway to Creake Abbey, followed by a surprise sight of another glorious poppy meadow on our journey to Wiveton Hall to pick strawberries.
The lush crop of succulent fruit beckoned us in to devour its abundance. Gathering strawberries for jam making feels a real treat on a sunny day in Norfolk – bend, forage, find and basket, repeat, bend, forage, find and basket - gathers a slow momentum. Seduced by the all-pervading sweet heart fragrance, the basket fills itself easily.
The heady aroma transports to the kitchen where jam pan and boiling fruit meld before warmed jars. Apron once green now splashed and scrumbled with red sticky handprints and sweet smiles of endless setting tests. Labelled pots of red goodness parade in the store cupboard – North Norfolk delights abound.
For red lovers we have an exotic design of rich red hues, Pheasant Fancy is one our exclusive limited edition lamp shades, and it’s illumination creates a warming glow.
To re-tread footprints on a favourite walk, where sky and sea and earth meet and buffer, is a treat even on a windy, grey January day. The North Norfolk coastline is a sanctuary to wildlife and people – an ethereal interface that inspires and nurtures.
We surrender to the elements - embrace the gash of wind and rain and hear the roar of tide and turn.
See 37 seconds of a panoramic video of the windy walk at Cley.
What inspires artists to capture something - a stimulus that sparks an exhilarating ignition to respond. The stark winter landscapes of North Norfolk, with their strong graphic qualities, contrive a creative approach where the editing out of features is as much the artistic remit as what one includes. This challenging duality delivers sparse vistas with intricate detailing in the forms.
The Land Song Collection has emerged organically from the seasonal study of the East Anglian countryside and coastline. It aims to reflect the quiet song where a rhythmic beauty is broken by staccato: tree, farm and village. The drawings are direct responses to actual sites that can be visited through the name or grid references supplied with each print. The Collection will continue to evolve and expand as the sky’s envelope opens.
The ghost of the mill sails turn to the rhythm of the historic wind.
In Burnham Norton, marshes wrap and ooze watery ribbons of grey sky. Reeds form natural weather vanes swaying in the breeze whilst beyond the edge, where watery and aerial worlds collide: creatures dance in the interface embracing the fluctuating borders of their habitat.